This song is about God revealing himself in the darkest moments, and those moments seemingly being reserved for just that.
Aural Anomalies:
Tony Recorded two tracks of drums on this song. One track with little drum tuning alteration, and another where we tuned the snare much lower and the kick much higher. These tracks are panned hard left and Right. It was a concept inspired by Stevie Wonder's "Signed, Sealed, Delivered" and The Myriad's "The Last time"
I recorded the Fender P-bass through a Boss Super Octave pedal and used a Big Muff Fuzz for the chorus sections.
The little bit of sporadic electric guitar was through a Boss RT-20 which is a pedal designed to simulate the Leslie speaker cabinet that Hammond B3 players use.
The Epic/Cheesy "Ahhs" in the beginning are from a Reason patch called "Isengard". I would use that patch no matter what it sounded like just because of the name. I am a dork.
Below is a chart so that we could practice the song yet oddly enough I don't recall ever playing this live:
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